A few days ago I contracted the skills of a fellow Noogler to write a brief blurb about my recently completed artistic foray. Here it is:
Ménage à Trois, 2007Matt Hudson and [Roommate].Acrylic on stretched canvas, (width 18" height 36").Pioneer acrylic artists Matt Hudson and [Roommate] have stunned American critics from Ann Arbor to Los Altos with the depth and complexity of their their brilliant debut work, Ménage à Trois. Employing the non-objective style of abstract legend Mark Rothko and the dynamic palette of minimalist Barnett Newman, Ménage à Trois serves as a poignant commentary on human existence in the uncertain world of today.Each of the three canvases stands powerfully - with its own monochromatic splendor, its own inimitable brush strokes, its own emotive message - alone. Composed with neither a definite foreground nor a definite background, each canvas presents a space that is simultaneously both completely negative and completely positive. Brilliantly, that space reveals nothing. And that space reveals everything.So it is with us as human beings: Alone, in the absence of human connection, our lives are negative space, insignificant, nothing; and yet, such loneliness is also what inspires the creation of a truest, fullest self, a positive space, a self that is everything. Each of the canvases - Bleu, Rouge, and Vert consecutively - reflects that individual struggle, the effort to balance the negative with the positive, growth with consistency, togetherness with detachment, light with dark.But despite the evocative success of the isolated canvases, Ménage à Trois is above all else an homage to gestalt, for the work as a whole is, indeed, much greater than the sum of its parts. Without Bleu by its side, we realize, Rouge would throb with less emotive intensity. Without Rouge, Vert would hardly touch the contemplative grace that it achieves as its accomplice. The canvases work in symbiosis and in conflict, as nemeses and as friends.A meditation on love and life, a commentary on the challenge and necessity of connecting with others, Ménage à Trois reveals - through its virtuous chromatic simplicity, its elegant compositional restraint, its unification of the seemingly disparate - that alone we are strong, but together we are stronger.



